Showing posts with label Galeano. Show all posts
Showing posts with label Galeano. Show all posts

Monday, April 13, 2015

Eduardo Galeano has died.


In 2010 and 2011, I posted some of my favorite pieces from The Book of Embraces. They’re beautiful – you can read them here, here, here, here, and here.

In 2013, I quoted two segments from his most recent book, Children of the Days, here and here.

Saturday, May 11, 2013

criminal tendencies


Eduardo Galeano has a new book out – Children of the Days: A Calendar of Human History.



It features an entry for each day of the year. Here’s the one for February 15:
More Stolen Children

‘Marxism is the worst form of mental illness’, ruled Colonel Antonio Vallejo Nájera, psychiatrist supreme in Generalissimo Francisco Franco’s Spain.

He had studied Republican mothers in prison and proven that they harbored ‘criminal tendencies’.

To defend the purity of the Iberian race, threatened by Marxist degeneration and maternal delinquency, thousands of newborns and infants, children of Republican parents, were kidnapped and plopped into the arms of families devoted to the cross and sword.

Who were those children? Who are they, so many years later?

No one knows.

Franco’s dictatorship falsified the records to cover its tracks and ordered everyone to forget: it stole the children and it stole their memory.

Friday, August 20, 2010

Interlude - From The Book of Embraces

Another from Galeano:

***

THE NOBODIES

Fleas dream of buying themselves a dog, and nobodies dream of escaping poverty: that one magical day good luck will suddenly rain down on them - will rain down in buckets. But good luck doesn't rain down yesterday, today, tomorrow, or ever. Good luck doesn't even fall in a fine drizzle, no matter how hard the nobodies summon it, even if their left hand is tickling, or if they began the new day with their right foot, or start the new year with a change of brooms.

The nobodies: nobody's children, owners of nothing. The nobodies: the no ones, the nobodied, running like rabbits, dying through life, screwed every which way.

Who are not, but could be.

Who don't speak languages, but dialects.

Who don't have religions, but superstitions.

Who don't create art, but handicrafts.

Who don't have culture, but folklore.

Who are not human beings, but human resources.

Who do not have faces, but arms.

Who do not have names, but numbers.

Who do not appear in the history of the world, but in the police blotter of the local paper.

The nobodies, who are not worth the bullet that kills them.
***

Friday, August 13, 2010

Interlude - From The Book of Embraces

The Book of Embraces by Eduardo Galeano



is wonderful. I'm going to share a few of my favorites. Here are the first two:

THE FUNCTION OF ART/2

The Preacher Miguel Brun told me that a few years ago he had visited the Indians of the Paraguayan Chaco. He was part of an evangelizing mission. The missionaries visited a chief who was considered very wise. The chief, a quiet, fat man, listened without blinking to the religious propaganda that they read to him in his own language. When they finished, the missionaries awaited a reaction.

The chief took his time, then said:
"That scratches. It scratches hard and it scratches very well."

And then he added:
"But it scratches where there isn't any itch."
***

CELEBRATION OF FANTASY

It happened at the entrance to the town of Ollantaytambo, near Cuzco. I had detached myself from a group of tourists and was standing alone looking at the stone ruins in the distance when a small boy from the neighborhood, skinny and ragged, came over to ask if I would give him a pen. I couldn't give him my pen because I was using it to write down all sorts of boring notes, but I offered to draw a little pig for him on his hand.

Suddenly the word got around. I was surrounded by a throng of little boys demanding at the top of their lungs that I draw animals on their little hands cracked by the dirt and cold, their skin of burnt leather: one wanted a condor and one a snake, others preferred little parrots and owls, and some asked for a ghost or a dragon.

Then, in the middle of this racket, a little waif who barely cleared a yard off the ground showed me a watch drawn in black ink on his wrist.

"An uncle of mine who lives in Lima sent it to me," he said.

"And does it keep good time?" I asked him.

"It's a bit slow," he admitted.
***